Saturday, June 30, 2012

Hemba head figure


Height 24cm

The Hemba live to the south-east of the Democratic Republic of Congo on land situated between the Congo River to the west and Lake Tanganyka to the east. On this small expanse of land the Luika River forms a natural barrier between the Hembas of the north and those of the south.



The Hemba have produced some of the finest carvings to come out of Africa. Their art has been influenced by their larger and more famous neighbors, the Luba. The types of carvings that the Hemba produce also parallel those of the Luba, and includes major statues dedicated to important ancestors, and a multitude of small but stunning pieces like stools, neckrests and staffs. Both groups produce relatively few masks, with the most familiar Hemba mask being the monkey-faced "soko."


Perhaps the most famous of Hemba statues are the large ancestor figures known as "Singiti." These can be quite tall, up to 40 inches. They are generally male, with enlarged heads and hands resting on an often distended abdomen. There is usually an impressive beard as well as a distinctive backswept hairdo finished off in the shape of a cross. The patina is often warm and lush. These are important village possessions, and are kept in special shrines which are guarded by the "Fumu Mwalo," or chief of the clan. He alone can present the statues during important rituals, during which he communicates with the ancestors, using the singiti as intermediaries. Much more rare than the singiti are the impressive warrior figures holding weapons, and these are among the most sought-after of all African statues. They are treated with the utmost respect by the chief, and when displayed will often receive offerings of blood from sacrificed animals. This produces a heavy, encrusted patina over time, adding to their beauty and desireability. In addition to the ancestor statues, the Hemba have produced many smaller and utilitarian objects of great beauty. Again, these are often difficult to distinguish from similar Luba pieces. Neckrests, stools, small amulets, and rattles predominate. The use of masks among the Hemba is thought to be rare, with only the charming, simian-style "soko" masks easily identified. There are also a few field-collected examples of serenely beautiful human-faced masks, but these are extremely rare, and like the "soko," their meaning is obscure. The art of the Hemba is enormously significant, if not completely unique, and despite scholarly progress, still the subject of controversy among experts.



This objectec is for sale. Should you be interested, please email me.

Saturday, April 3, 2010

Boyo / Mboyo


A strong male ancestor figure with elaborate markings on the head and face as well as on the torso and belly. The standing figure is wearing carved bracelets on each arm.

This elaborately carved figure comes from the region between the Luluaba River and lake Tanganyika an area of great historical, religious and artistic complexity. Reflecting this cultural complexity the Boyo are compromised of six distinct but related clans that share similar shapes but retain individual styles of art. This figure is attributed to the greater Buyu (or Basumba) style but can have an origin within a clan as yet undefined, perhaps from either the Hanga or Sumba (Basumba). This large and highly detailed carving shows an ancestor in a semi-crouched position with squared shoulders and elaborate marking of the body.These figures were honored and left offerings of food and drink. As an ancestor the figure served as a point of contact with the heroic chiefs of the past to comfort and direct a supplicant s life. The scarification patterns on the face and abdomen are those of an ancestor that the figure represented.

H: 11,3 cm

Les Boyo ou Mboyo font partie du groupe ethnique appelé pré-Bembé, tout comme les Basikongo, Bahutshwe, Babwari... et se situent géographiquement autour du lac Tanganiyka.


Leur art se situe à mi-chemin entre le style Luba et Lega et a souvent été attribué à tort aux Bembé qui n'ont jamais fabriqué et utilisé de statues.

References: http://www.metmuseum.org/toah/works-of-art/1978.412.424

Monday, March 29, 2010

Lega


15.5cm x 5.3cm


Iginga figures are individually owned by the highest ranking society members, are the most coveted of all initiation objects. Some anthropomorphic figures are called kalimbangoma. Each member of Musagi wa Kindi, a sublevel of the highest Bwami rank, owns a bone or ivory human kalimbangoma figure as a sign of his status.

References: Art of the Lega
Friction oracle: Croc-headed animal (Itombwa), Kuba peoples, Democratic Republic of the Congo
30cm long x 6cm tall (to top of figure)
wood, plant fiber, pigment
mid 20th century



"Regarded as infallible divinatory instruments, friction oracles (itombwa) were used to mediate between diviners
and omniscient nature spirits in order to determine the cause of illnesses and appropriate courses of treatment and to expose dishonesty. They performed this role in the guise of an animal form, favored by nature spirits, designed to register their insights in response to human manipulation." - Metropolitan Museum of Art